No. 11 (2026): Folia Philologica

Статті

• IMAGE-SYMBOL-CONCEPT TRIAD AS TERTIUM COMPARATIONIS FOR PHYTONYMIC SYMBOLISM COMPARISON IN PHRASEOLOGISMS OF UKRAINIAN, SPANISH AND ENGLISH LANGUAGES

  Yaroslav AVDIEIEV

  4-17

  • PDF (Українська)

• FRANZ KAFKA IN UKRAINIAN TRANSLATIONS: AN ENDLESS STORY

  Lyubomyr BORAKOVSKYY

  18-25

  • PDF (Українська)

• METAGENRE PARAMETERS OF FEMINIST SCIENCE FICTION: NARRATIVE POLYPHONY IN ALASDAIR GRAY’S POOR THINGS

  Yulianna VISHCHAK

  26-34

  • PDF (Українська)

• ANTHOLOGY WITHOUT END: INCOMPLETENESS AS A CONSTITUTIVE PROPERTY OF THE COMBATANT COLLECTION IN BRITISH TRENCH POETRY OF THE FIRST WORLD WAR AND CONTEMPORARY UKRAINIAN POETRY OF THE INVASION

  Maksym ZABRODIN

  35-43

  • PDF (Українська)

• BETWEEN DIGITAL IRONY AND ANALOG VULNERABILITY: METAMODERNIST OSCILLATIONS IN PATRICIA LOCKWOOD’S NOVEL “NO ONE IS TALKING ABOUT THIS”

  Igor KAZAKOV

  44-50

  • PDF (Українська)

• THE CHRONOTOPIC MODEL OF HERPETOLOGICAL IMAGES IN THE UKRAINIAN FAIRY TALE

  Аnna KACHAN

  51-58

  • PDF (Українська)

• THE RUSSIAN–UKRAINIAN WAR IN UKRAINIANS’ ONLINE FOLKLORE

  Roman LYKHOHRAI

  59-65

  • PDF (Українська)

• NOMINATIVE FIELD OF THE CONCEPT PSYCHOTRAUMA IN THE ENGLISH-LANGUAGE MEDIACULTURAL DISCOURSE

  Iliana POLISHCHUK

  66-79

  • PDF (Українська)

• PRAGMASEMANTIC ORGANIZATION OF THE SONG “WHERE HAVE ALL THE FLOWERS GONE?” AND ITS PARATEXTS

  Anatoliy PRYKHODKO, Kateryna LUT

  80-88

  • PDF (Українська)

• THE FOLKLORE COMPONENT OF THE PUBLICATION “BUKVAR YUZHNORUSSKY” (1861) COMPILED BY TARAS SHEVCHENKO

  Nataliia SALTOVSKA

  89-95

  • PDF (Українська)

• THE LINGUISTIC STYLISTICS OF IDIOMS IN INSTITUTIONAL COMMUNICATION

  Alona TARANENKO, Nataliia KONOPLENKO, Larysa SULIMA

  96-102

  • PDF (Українська)

• METHODOLOGY AND METHODS OF ANALYSING MULTIMODAL DISCOURSE OF SOCIAL CRISIS

  Valeriia YAHODZINSKA

  103-113

  • PDF (Українська)